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Neptune 7:290:00/7:29
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Magic 4:550:00/4:55
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Hold On 7:310:00/7:31
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Oracle 6:580:00/6:58
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Time Never Knows 6:340:00/6:34
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One More Bullet 4:030:00/4:03
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Blue Cobalt Dream 2:550:00/2:55
PROGRESSIVE MUSIC
My involvement in Progressive music has been huge since I began playing music. I think my love for classical music, concept pieces, storytelling has helped me embrace this unique style of rock. It may not be everybody cup of tea... but it's certainly mine!
Here are some bands I performed with over the last 30 years playing keyboards and doing most of the writing.
CPSW
Time Never Knows
The 1st studio album from CPSW released in 2019
Rick Catanese - Bass
Michael Soro - Guitars, Vocals
Marcangelo Perricelli - Keyboards, Vocals
Keith Welch - Drums
CPSW
Riding The Rails
The 2nd album from CPSW released in 2021
Rick Catanese - Bass
Michael Soro - Guitars
Marcangelo Perricelli - Keyboards, Vocals
Keith Welch - Drums
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Torn Away 6:480:00/6:48
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Edge of the Sun 4:440:00/4:44
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Riding the Rails 5:430:00/5:43
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Never Ends 4:310:00/4:31
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Why the Witches 4:040:00/4:04
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New York City 5:200:00/5:20
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On My Way Home Now 5:370:00/5:37
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Love's Whisper 6:170:00/6:17
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0:00/3:23
Marcangelo Perricelli
It's Only Me
Marcangelo Perricelli's progressive music history starts with his joining forces with Bob Piper to form Pleiades, a band who released a single recording "A Moment of Clarity". Following that, Perricelli formed a symphonic progressive trio called Navigator before becoming a solo artist with the release of 3 EP's in 2006. Two of these EPs are in the new age genre with It's Only Me being fully a progressive rock release.
Perricelli's earlier history includes gold and platinum awards for songwriting with the internationally famous "Kool and The Gang". Prior to all this musical success, he spent six years in record retail managing a record store and 15 years in the record business with the TimeWarner Record group.
All instruments, All Vocals
Written, recorded and produced by Marcangelo Perricelli
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I Believe In Myself 5:460:00/5:46
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It's Only Me 5:210:00/5:21
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Tea Time At Lesley's 5:180:00/5:18
NAVIGATOR
PHANTOM SHIPS
It doesn't take all that long to decide which context to place this band in, at least as they appear in 2014. Opening epic length creation Life doesn't use all that long to present us with sounds, moods and atmospheres that reminds perhaps more than a little bit of classic 80's era Marillion, and while they don't hone in and focus on that particular sound throughout the material remains accessible, compelling and melodic throughout the album. Initially with something of a typical neo-progressive vibe to it, but also with gentler details reminding of bands like Camel and some spirited keyboard maneuvers that at least for me makes me think of late 70's and early 80's Eloy. Third track Burned is a tighter, harder edged excursion into those realms, with a classic and compelling guitar riff and organ combination leading the way, in this case with less of a direct comparison at hand in terms of references for me, and the following instrumental Beautiful River is another somewhat harder for me to give a direct reference on to any specific band. This latter also comes across as a creation that, at least to some extent, heralds a change on this production as a whole.
The second half of this CD, starting with Now That You're Gone, presents us with a band that appears to know their way around the various phases of progressive rock giants Genesis. In three compositions they explore quite nicely some of the typical moods and atmospheres fans of Genesis will find to be intimately familiar, albeit void of the complexities and more focused on staying compelling and accessible. The epic length title track Phantom Ships also includes sections sporting more intricate keyboard arrangements however, of a kind an nature that should please also the more dedicated fans of old school symphonic progressive rock. This latter crowd should, presumably, also appreciate the inclusion of a nifty, dramatic classical symphonic orchestra interlude around the halfway stage of this creation. Final song Rinascimento isn't quite as striking, a dual acoustic guitar piece, calm and well controlled, but it functions quite nicely as a relaxing lead-out marking the end of the journey we have partaken.
Those fond of accessible, melodic progressive rock should have a field day with this album. Perhaps not a production that will be heralded for it's novel take on progressive rock, nor one that will be chosen as an example of a band treading new ground or breaking genre conventions, but if solid, quality compelling progressive rock in the manner of bands such as Fish-era Marillion, IQ and Pendragon is what you're looking for, Navigator will provide you with just that on this album.
Marcangelo Perricelli – Keyboards, Lead Vocals
Michael Soro – Guitars
Rick Catanese – Bass
Rob Thurman – Drums, Lead Vocals
Friday, March 25, 2016
Review by Windhawk
Prog Archives
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Life 17:050:00/17:05
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Open Air 8:220:00/8:22
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Burned 5:440:00/5:44
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Beautiful River 5:420:00/5:42
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Now that You're Gone 7:590:00/7:59
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Snow Angel 5:180:00/5:18
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Phantom Ships 13:260:00/13:26
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Rinascimento 2:000:00/2:00
NAVIGATOR
reEvolution vol.i
Thanks to weathered, distinct vocals and euphoric, dominant keyboards, the American power trio Navigator (now a duo, by the way) sounds like an organic mating of Peter Gabriel-era Genesis and Neal Morse-era Spock's Beard. Multiple textures, odd rhythms and meters, grand atmospheric melodies and "of course a concept", make ReEvolution Vol. One a classic proghead's sonic fantasy.
Marcangelo Perricelli – Keyboards, Lead Vocals
Michael Soro – Guitars
Rob Thurman – Drums, Lead Vocals
September 30th 2004
Reviewer: Michael Popke
Sea of Tranquility